• The Vanishing West
  • ICELAND
  • NORWAY
  • PAINTED DESERT
  • DEATH VALLEY
  • THE WORLD
  • L'Oeildelaphotographie.com - Death Valley
  • L'Oieldelaphotographie - Norway
  • OFF The Clock - APA 2022 #55 Midnight At The Palace Of The Governors
  • loeildelaphotographie - Iceland portfolio
  • l'oeildelaphotographie.com - southwest portfolio
  • Edition One Exhibit Disappearing World
  • Off The Clock 2024 #33 Iceland Basalt Canyon
  • ABOUT ME
  • Contact
  • Menu

Erwin More Photography: my photographic journey

  • The Vanishing West
  • ICELAND
  • NORWAY
  • PAINTED DESERT
  • DEATH VALLEY
  • THE WORLD
  • L'Oeildelaphotographie.com - Death Valley
  • L'Oieldelaphotographie - Norway
  • OFF The Clock - APA 2022 #55 Midnight At The Palace Of The Governors
  • loeildelaphotographie - Iceland portfolio
  • l'oeildelaphotographie.com - southwest portfolio
  • Edition One Exhibit Disappearing World
  • Off The Clock 2024 #33 Iceland Basalt Canyon
  • ABOUT ME
  • Contact

ABOUT ME

Photography has given me the opportunity to see the world from different perspectives, taking the time to stop and see the possibility of an evocative image and then taking the time to capture that image.  The translation from seeing to execution is not always as imagined and can sometimes be disappointing, sometimes surprising, and sometimes exhilarating. 

I have had the good fortune to study under the guidance of extraordinary muse and teacher/photographer Eric Lawton as well as Raul Tauzon and the Santa Fe Digital School of Photography.

My photography has been published in the Santa Fean as well as other New Mexico publications and exhibited at Edition One Gallery.

I have produced a number of television series including "JUST SHOOT ME" and "DHARM AND GREG" and received and Emmy for producing "American High" a docu-drama about kids in their senior year of high school.

Was honored to have my photograph, Midnight at the Palace of the Governors selected to be part of APA-LA’s 2022 OFF The Clock selected by The Getty’s esteemed curator, Paul Martineau.